lens culture: world press photo winners 2006: "World Press Photo
Winners for 2006"
Wednesday, February 28, 2007
Are we all photographers, now?
lens culture: photography weblog
The concept of how photography is changing and what it is expressing with the new technology is interesting.
The concept of how photography is changing and what it is expressing with the new technology is interesting.
Wednesday, February 21, 2007
genmegane.com
genmegane.com
Another fascinating Japanese web site with fascinating photography. Both this site, and the previous web log post are inspirational. I like the awkward navigation, it makes me want to explore and discover.
Another fascinating Japanese web site with fascinating photography. Both this site, and the previous web log post are inspirational. I like the awkward navigation, it makes me want to explore and discover.
NO digital
NO digital
An absolutely mesmerizing web site! You can type other numbers in to the URL to see other photographs, I tried 100 and various 200 numbers and they seemed to work. The photography is amazing and real!!!
An absolutely mesmerizing web site! You can type other numbers in to the URL to see other photographs, I tried 100 and various 200 numbers and they seemed to work. The photography is amazing and real!!!
Monday, February 05, 2007
Andrew Miksys Photographer
Andrew Miksys Photographer
Thoughtful, emotional, powerful photography. To me the photographs evokes strong feelings of sadness and loss.
Thoughtful, emotional, powerful photography. To me the photographs evokes strong feelings of sadness and loss.
Sunday, January 28, 2007
The Online Photographer: How to Read a Photographic Book
The Online Photographer: How to Read a Photographic Book
I think it is true that we judge a photograph quickly, I know I do. I also know when I watch people looking at my photographs that they often miss, what for me, is an important aspect of the photograph. Allowing time to savor, or reflect, or just to look at a photograph is respectful of the thought and effort of the photographer.
I think it is true that we judge a photograph quickly, I know I do. I also know when I watch people looking at my photographs that they often miss, what for me, is an important aspect of the photograph. Allowing time to savor, or reflect, or just to look at a photograph is respectful of the thought and effort of the photographer.
Saturday, January 27, 2007
Luminous-Lint: Home - for Connoisseurs and Collectors of Fine Photography
Luminous-Lint: Home - for Connoisseurs and Collectors of Fine Photography
This is an amazing site, I looked up some of my favorite photographers, like Eugene Richards, and all the information and examples of photography were there. If you love photography, and the history of photography this a crucial site.
This is an amazing site, I looked up some of my favorite photographers, like Eugene Richards, and all the information and examples of photography were there. If you love photography, and the history of photography this a crucial site.
Friday, January 19, 2007
The use of Photoshop - Reuters Blogs
The use of Photoshop - Reuters Blogs
This is an interesting article related to truth in photography and the limits of using Photoshop to manipulate images. I agree with its intent and limitations. Keeping a relationship between a photograph and a specific moment in time is the magic of photography. Manipulation can severe the relationship between a photograph and a moment in time. When the relationship to a moment in time is altered an image can still be meaningful and beautiful, but the energy and magic of photography has vanished.
This is an interesting article related to truth in photography and the limits of using Photoshop to manipulate images. I agree with its intent and limitations. Keeping a relationship between a photograph and a specific moment in time is the magic of photography. Manipulation can severe the relationship between a photograph and a moment in time. When the relationship to a moment in time is altered an image can still be meaningful and beautiful, but the energy and magic of photography has vanished.
Thursday, January 18, 2007
www.yamasaki ko-ji.com
www.yamasaki ko-ji.com
I love this web site. It is expressive, unique, and very individual. Japanese street photography, sort of.
I love this web site. It is expressive, unique, and very individual. Japanese street photography, sort of.
Monday, January 08, 2007
The Digital Journalist January 2007 Issue Contents
The Digital Journalist January 2007 Issue Contents
The January issue is online. As always it is excellent. If you use RSS subscribe to their feed so that you can track when the new issue arrives.
The January issue is online. As always it is excellent. If you use RSS subscribe to their feed so that you can track when the new issue arrives.
Sunday, January 07, 2007
Syllabus CIOS 258 Digital Photography
071C258syl.pdf (application/pdf Object)
I am teaching a course in digital photography. In my syllabus I outline some ideas about the photographic process. I have included some of those ideas in the web log post.
Course Purpose: (Why on Earth am I taking this course?)
The purpose of this course is to become a good photographer! A good photographer can use ideas, vision, a camera and editing tools to create photographs that fulfill an explicit purpose or intention.
The process of photography is:
1. Thinking
2. Seeing
3. Taking
4. Selecting
5. Editing
6. Sharing
Photography is a means of communication. Some photographs become more valuable over time. There are many purposes and reasons to take photographs. Photography is a skill that will grow and change the more that you use and develop it. The process of photography is fun. The more you photograph, the more photographs you see.
Photographic Intention: (Why do I take photographs?)
A person takes photographs for a reason. There are many reasons to take photographs. When you photograph you have a frame of reference or intention to take a photograph. Thinking about the reasons for your photographs will help you organize your approach to photography. People can have multiple reasons to take photographs.
Seeing Photographs: (What do I see? Why do I take this specific photograph)
Assuming that you have a reason or intention to take a photograph you take photographs because you see something to photograph. You see something that fulfills your intention. The more photographs you take the more photographs that you see. A photograph is a specific moment in time. The moment in time is expressed through light captured by a camera. Seeing something to photograph and seeing like a camera are not identical. Being able to translate what you see into a photograph that expresses your original vision takes experience and technical knowledge.
Using a Camera: (How do I use a camera to capture what I see?)
Photographic techniques are tools used to fulfill your photographic intention. Cameras are a means to an end. Every decision that you make in setting the camera is a compromise, there is something gained and something lost. All cameras involve the same set of compromises.
A camera does not see like a human. A camera does not have the dynamic range of the eye. A camera does not have depth perception. A camera sees color differently then a human. A camera abstracts what a human sees.
It takes experience to be able to translate what you see into a photograph. To be able to express your intention, to be able to capture what you see, you must master camera technique. What is in your head, what you intended to do, or even the memory of the event is not the same thing that is in the photograph.
Photographic techniques are the tools you use to bring your intention, what you wanted to show, closer to the photograph, what you actually captured. Turning what you see in your mind into what people see in the photograph is the art of photography.
Selecting, Evaluating, and Archiving Photographs: (My photographs are everywhere, how do I get organized?)
If you do not organize your photographs you will be overwhelmed? If you do not develop a method of organizing your photographs you might lose the photographs and the memories that they contain. Sometimes what you see later, in a photograph, is different from and maybe even better then your original intention. It is important to make your photographs accessible and easy to view. A good organizing and archiving system provides a method to think about and re-experience and re-evaluate your photographs. It is important to see your photographs from different contexts and perspectives; a photograph can grow and change as your experiences change. If you do not have a method for selecting, grouping, and archiving photographs you will not be able to re-appreciate your photographs.
Before doing major selecting, wait to make judgments on your photographs. Sometimes it takes time to appreciate what you have taken; it is too easy to focus on the details or the flaws in the photograph and to miss the actual value of the photograph. Let time pass, at least a month, before evaluating your photographs.
Editing Photographs: (The photograph does not look right, now what do I do?)
Editing or enhancing a photograph clarifies and expresses your original photographic intention. Photoshop or Picasa are tools to improve or clarify your original intention. Using cropping, straightening, editing, adjusting the dynamic range, sharpening, cleaning up small details, and adjusting color are means to clarify a photograph. Using software to adjust an image is as important as using a darkroom to print an image, software is an integral part of digital photography.
Sharing Photographs: (I want to share my photographs with others?)
Sharing photographs is making a commitment to the selected photographs that these photographs are good enough to share. There is always the balance between perfect, good enough, and laziness, at some point it is necessary to evaluate and share your photographs. The motivation to share improves the entire photographic process. By making your photographs available you will be able to review and reflect upon what you have done.
I am teaching a course in digital photography. In my syllabus I outline some ideas about the photographic process. I have included some of those ideas in the web log post.
Course Purpose: (Why on Earth am I taking this course?)
The purpose of this course is to become a good photographer! A good photographer can use ideas, vision, a camera and editing tools to create photographs that fulfill an explicit purpose or intention.
The process of photography is:
1. Thinking
2. Seeing
3. Taking
4. Selecting
5. Editing
6. Sharing
Photography is a means of communication. Some photographs become more valuable over time. There are many purposes and reasons to take photographs. Photography is a skill that will grow and change the more that you use and develop it. The process of photography is fun. The more you photograph, the more photographs you see.
Photographic Intention: (Why do I take photographs?)
A person takes photographs for a reason. There are many reasons to take photographs. When you photograph you have a frame of reference or intention to take a photograph. Thinking about the reasons for your photographs will help you organize your approach to photography. People can have multiple reasons to take photographs.
Seeing Photographs: (What do I see? Why do I take this specific photograph)
Assuming that you have a reason or intention to take a photograph you take photographs because you see something to photograph. You see something that fulfills your intention. The more photographs you take the more photographs that you see. A photograph is a specific moment in time. The moment in time is expressed through light captured by a camera. Seeing something to photograph and seeing like a camera are not identical. Being able to translate what you see into a photograph that expresses your original vision takes experience and technical knowledge.
Using a Camera: (How do I use a camera to capture what I see?)
Photographic techniques are tools used to fulfill your photographic intention. Cameras are a means to an end. Every decision that you make in setting the camera is a compromise, there is something gained and something lost. All cameras involve the same set of compromises.
A camera does not see like a human. A camera does not have the dynamic range of the eye. A camera does not have depth perception. A camera sees color differently then a human. A camera abstracts what a human sees.
It takes experience to be able to translate what you see into a photograph. To be able to express your intention, to be able to capture what you see, you must master camera technique. What is in your head, what you intended to do, or even the memory of the event is not the same thing that is in the photograph.
Photographic techniques are the tools you use to bring your intention, what you wanted to show, closer to the photograph, what you actually captured. Turning what you see in your mind into what people see in the photograph is the art of photography.
Selecting, Evaluating, and Archiving Photographs: (My photographs are everywhere, how do I get organized?)
If you do not organize your photographs you will be overwhelmed? If you do not develop a method of organizing your photographs you might lose the photographs and the memories that they contain. Sometimes what you see later, in a photograph, is different from and maybe even better then your original intention. It is important to make your photographs accessible and easy to view. A good organizing and archiving system provides a method to think about and re-experience and re-evaluate your photographs. It is important to see your photographs from different contexts and perspectives; a photograph can grow and change as your experiences change. If you do not have a method for selecting, grouping, and archiving photographs you will not be able to re-appreciate your photographs.
Before doing major selecting, wait to make judgments on your photographs. Sometimes it takes time to appreciate what you have taken; it is too easy to focus on the details or the flaws in the photograph and to miss the actual value of the photograph. Let time pass, at least a month, before evaluating your photographs.
Editing Photographs: (The photograph does not look right, now what do I do?)
Editing or enhancing a photograph clarifies and expresses your original photographic intention. Photoshop or Picasa are tools to improve or clarify your original intention. Using cropping, straightening, editing, adjusting the dynamic range, sharpening, cleaning up small details, and adjusting color are means to clarify a photograph. Using software to adjust an image is as important as using a darkroom to print an image, software is an integral part of digital photography.
Sharing Photographs: (I want to share my photographs with others?)
Sharing photographs is making a commitment to the selected photographs that these photographs are good enough to share. There is always the balance between perfect, good enough, and laziness, at some point it is necessary to evaluate and share your photographs. The motivation to share improves the entire photographic process. By making your photographs available you will be able to review and reflect upon what you have done.
Monday, December 18, 2006
Heading East
Heading East One of the joys and challenges of photography is the empathy and imagination that you develop by being observant. I love wandering around, and as I wander I am surrounded by a thousand questions and a thousand feelings. Check the related links at the bottom of the post for more impressions.
Monday, December 11, 2006
Photography of Jonathan Moller
Photography of Jonathan Moller Sometimes photography serves a higher purpose. "Our Culture is Our Resistance" is a set of Photographs that serve and communicate on multiple levels.
Tuesday, November 28, 2006
The Online Photographer: T.O.P.'s Ten Best Living Photographers List
The Online Photographer: T.O.P.'s Ten Best Living Photographers ListI good list to start exploring. I do not know all these photographers, but I will.
Monday, November 27, 2006
JPG Magazine: Issues: 7
JPG Magazine: Issues: 7 I bought this magazine at Barnes and Noble. I liked it so much I subscribed. You can download the magazine as a PDF here, or you can scroll through the pages by scrolling through the Issue Preview.
Sunday, November 26, 2006
Sunil Vaidyanathan Photography
Sunil Vaidyanathan Photography Another access point to these wonderful photographs. Start here.
The River Yatra: Ganga Yamuna
The River Yatra: Ganga Yamuna These photographs transcend the beautiful. Explore this site for documentary photography the way it should be. I would love to take the photo school that he teaches. I was inspired.
New York Black and White Photography
New York Black and White Photography
The photography and the articles are excellent. Explore this site.
The photography and the articles are excellent. Explore this site.
Wednesday, November 15, 2006
The Toy Polloy--Smells Fishy!
The Toy Polloy--Smells Fishy!
I love the look of these photographs. I have been noticing, when scanning my old negatives, that I really like some of my odd and flawed photographs. I want to try some of these tools.
I love the look of these photographs. I have been noticing, when scanning my old negatives, that I really like some of my odd and flawed photographs. I want to try some of these tools.
Sunday, November 12, 2006
The Online Photographer: Seen It Before?
The Online Photographer: Seen It Before?
Developing a unique photographic style is crucial and I think should be unconscious. A style should evolve from how you see, not how you compare to others.
Developing a unique photographic style is crucial and I think should be unconscious. A style should evolve from how you see, not how you compare to others.
Sunday, September 24, 2006
RAWWorkflow.com - Make better pictures from your pixels™
RAWWorkflow.com - Make better pictures from your pixels™
Ben Lifson's columns and resources for thoughtful and artistic photography.
Ben Lifson's columns and resources for thoughtful and artistic photography.
Monday, September 18, 2006
Dennis Dunleavy: The Decisive Moment: The Course of Human History as the Eye Sees It
Dennis Dunleavy: The Decisive Moment: The Course of Human History as the Eye Sees It The Decisive Moment and Henri Cartier-Bresson are an inspiration that never grows old. Ethics and truth are an important aspect of the best photography.
Sunday, September 17, 2006
(Bjorke * BotzBlog) What You Choose to See
(Bjorke * BotzBlog) What You Choose to See
This is a thought provoking and practical post. I especially like this quote "My conclusion so far is that the paradox is illusory, a byproduct of the fact that neither the color photograph or the B&W photograph are the things being photographed. As the old Winogrand saw goes: they're new facts. Once you see a color photograph, already made, it's harder to think of it as anything else. Seeing the photograph is a new experience, one that is like seeing the things photographed while photographing, but... not the same. And that this surely has an influence on the way photographs are redacted from contact sheets and so forth. If they start B&W, they are B&W. Color, color."
This is a thought provoking and practical post. I especially like this quote "My conclusion so far is that the paradox is illusory, a byproduct of the fact that neither the color photograph or the B&W photograph are the things being photographed. As the old Winogrand saw goes: they're new facts. Once you see a color photograph, already made, it's harder to think of it as anything else. Seeing the photograph is a new experience, one that is like seeing the things photographed while photographing, but... not the same. And that this surely has an influence on the way photographs are redacted from contact sheets and so forth. If they start B&W, they are B&W. Color, color."
Friday, September 15, 2006
iN-PUBLiC | The home of street photography
iN-PUBLiC | The home of street photography Another excellent street photography web site, I love street photography!
Sunday, September 10, 2006
The New Orleans Kid Camera Project
The New Orleans Kid Camera Project Excellent photography, the way it is, no pretention, just clear seeing!
Friday, September 08, 2006
lifevicarious - 448 days around the world
lifevicarious - 448 days around the world This is an excellent photo blog, interesting and varied. You can subscribe to the web log using an RSS reader. I like it!
RICHARD BRAM. PHOTOGRAPHER
RICHARD BRAM. PHOTOGRAPHER I love street photography, there are some good photographs here.
Sunday, September 03, 2006
street_photography_for_the_purist.pdf (application/pdf Object)
street_photography_for_the_purist.pdf (application/pdf Object)
An awesome article, a large PDF about street photography with excellent photography.
An awesome article, a large PDF about street photography with excellent photography.
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